Ғ. Н.Қисметова Ағылшын тілі грамматикасы

UNIT 23 ILYA REPIN (1844-1930)

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Қисметова-Ғ.Н.-Ағылшын-тілі-грамматикасы-1

Russian history. In 1894 he became professor of historical painti the academy in St. Petersburg. Although Repin was a good draughtsman and a skilled colourist
Religious P ro c e ssio n in the ursk Gubemiya
Ivan the Terrible and His Son Ivan

UNIT 23
ILYA REPIN (1844-1930)
И’ya Ephimovich Repin, a painter of historical subjects known for the
power and drama of his works, is considered an outstanding realist of his
generation. Bom to a poor family near Kharkov Repin learned his trade
from an icon painter named Bunakov. In 1864 Repin became a student at
the Academy of Fine Arts at St. Petersburg. In 1871 he won an academy
scholarship that enabled him to visit France and Italy, and when he
returned to Russia hi devoted himself to depicting episodes from
Russian
history. In 1894 he became professor of historical painti the academy in St.
Petersburg.
Although Repin was a good draughtsman and a skilled
colourist,
the
was known for his subject matter. His deeply moving scenes of
common
people were an indictment of the Tsarist regime. His powerful Volga
Boatmen, of 1873, depicting bargemen harnessed together like beasts of
urden, epitomises the stark realism and social criticism. This painting
became a model for Soviet Union Socialist Realist painting.
Repm s treatments of Russian subjects tend to be
grim in tone,
sharply drawn, and boldly composed. In his Religious
P ro c e ssio n
in
the
ursk Gubemiya, of 1880-83, a ceremonious procession is moving along
a dusty road. Repin depicted almost all the estates of provincial
Russia,
i 3Ch l^Ure *S en(Iowed with a characteristic pose, movement and gesture.
in the centre of the procession the painter
placed
landow ners,
merchants,
clergymen and officers, representatives of the middle and upper
classes,
he fat landowner’s wife, who carries the miracle-performing icon
is
very
144

expressive. She is full of her personal importance. Her arrogant look
mirrors the self-confidence of the representatives of the properted
classes. Their wellbeing is protected by village police officers. The
procession is headed by stalwart peasants; behind them two women of the
lower merchant class cautiously carry an empty icon case. A choir is also
represented here. No face shows deep devotion to God. Among the crowd
the figure of an archdeacon stands out for the bright, festive clothing, but
he too is plunged in his own thoughts. True faith is seen only in the
images of the poor and pilgrims. The most expressive image is that of
hunchback.
With the development of realism, historical painting underwent
great changes. In his large historical painting underwent great changes.
In his large historical paintings Ivan the Terrible and His Son Ivan,

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