Эргономика, инженерная психология и человеческий фактор в дизайне
Alger, John R.M., and Hays, Carl V. Creative Synthesis in Design.
New York: Prentice-Hall, 1962.
Anthropometry and Human Engineering. London: Butterworth's, 1955.
Asimov, Morris. Introduction to Design. New York: Prentice-Hall, 1962.
Banham, Reyner. Theory and Design in the First Machine Age.
London: Architectural Press, 1960.
Buhl, Harold R. Creative Engineering Design.
Ames, Iowa: Iowa State University Press, 1960.
Consumers' Union (ed.). Passenger Car Design and Highway Safety.
Mount Vernon, New York: Consumers Union, 1963.
Diffrient, Niels; Tilley, Alvin; and Bardagjy, Joan. Humanscale 1/2/3.
Cambridge: M.I.T. Press, 1974.
___. Humanscale 4/5/6. Cambridge: M.I.T. Press, 1981.
___. Humanscale 7/8/9. Cambridge: M.I.T. Press, 1981.
Glegg, Gordon L. The Design of Design. Cambridge:
Cambridge University Press, 1969.
Goss, Charles Mayo (ed.). Gray's Anatomy. (27th ed.)
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Jones, J. Christopher, and Thronley, D.G. Conference on Design Methods.
New York: Permagon Press, 1963.
McCormick, Ernest Jr. Human Engineering. New York: McGraw-Hill, 1957.
Nader, Ralph. Unsafe at any Speed. New York: Grossman, 1965.
Schroeder, Francis. Anatomy for Interior Designers. (2d ed.)
New York: Whitney Publications, 1948.
Stair, Martin Kenneth. Product Design and Decision Theory.
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U.S. Navy (ed.). Handbook of Human Engineering Data (Second Edition) U.S.
Navy Office of Naval Research, Special Devices Center, by NAVEXOS P-643,
Report SDC 199-1-2 (NR-783-001. N6onr-i99. TOIPDSCDCHE Project
20-6-1). Tufts University, Medford, Mass., n.d.
Woodson, Wesley, E. Human Engineering Guide for Equipment Designers.
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Образ, восприятие и творчество
Adorno, T.W. etal. The Authoritarian Personality. New York: Harper, 1950
Allport, Floyd. Theories of Perception and the Concept of Structure.
New York: Wiley, 1955.
Berne, Dr. Eric. Games People Play. London: Penguin, 1970.
___. Principles of Group Treatment. London: Oxford University Press, 1966.
___. The Structure and Dynamics of Organizations and Groups.
New York: J.B. Lippincott, 1963.
___. Transactional Analysis in Psychotherapy. New York: Grove Press, 1961.
Bettelheim, Bruno. The Empty Fortress: Infantile Autism and the Birth
of the Self. New York: Free Press, 1967.
___. The Informed Heart: Autonomy in a Mass Age. London: Paladin, 1970.
DeBono, Edward. New Think. New York: Basic Books, 1968.
Freud, Sigmund. Beyond the Principle. Translated by Strachey.
London: Hogarth Press, 1961.
___. Moses and Monotheism. Translated by Jones. London:
Hogarth Press, 1951.
___. On Creativity and the Unconscious. New York: Torch-books, n.d.
___. Totem and Taboo. Translated by Brill. London: Routledge
& Kegan Paul, 1950. Fromm, Erich. The Art of Loving.
London: Alien & Unwin, 1957.
___. The Revolution of Hope. New York: Harper, 1968.
Ghiselin, Brewster (ed.). The Creative Process. New York: Mentor Books.
Gibson, James J. The Perception of the Visual World.
Boston: Hough ton Mifflin, 1950.
Gordon, William J.J. Synectics. New York: Harper, 1961.
Gregory, R.L. The Intelligent Eye. London: Wiedenfield & Nicholson, 1970.
Gregory, R.L., and Gombrich, E. H. (eds.). Illusion in Nature and Art.
London: Duckworth, 1973.
Grotjahn, Martin. Beyond Laughter. New York: McGraw-Hill, 1957.
Gunther, Bernard. Sense Relaxation. London: MacDonald, 1969. J
Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London:
Routledge & Kegan Paul, 1922.
___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.
Katz, David. Gestalt Psychology. New York: Ronald Press, 1950.
Koehler, Wolfgang. Cestalt Psychology, rev. ed. New York: Liverigb, 1970.
Koehler, Arthur. The Act oj Creation. London: Hutchinson, 1969.
Kofka, K. Principles oj Gestalt Psychology. London:
Routledge & Kegan Paul, 1935.
Korzybski, Alfred. The Manhood oj Humanity. Chicago:
Library of General Semantics, 1950.
___. Science and Sanity. Chicago: Library of General Semantics,1948.
Kubie, Lawrence S. The Neurotic Distortion oj the Creative Process.
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Leonard, George B. Education and Ecstasy. London: John Мurray, 1970.
Lindner, Robert. Must You Conform? New York: Rinehart, 1956.
__. Prescription for Rebellion. New York: Rinehart, 1952.
Neumann, Erich. The Archetypal World of Henry Moore. Londor:
Routledge & Kegan Paul, 1959.
Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking.
New York: Scribner, 1962.
Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.
___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California:
Real People Press, 1969.
___. In and Out of the Garbage Pail. Lafayette, California:
Real People Press, 1969.
Petermann, Bruno. The Gestalt Theory and the Problem of Configuration.
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Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.
Reich, Wilhelm. The Cancer Biopathy.
New York: Orgone Institute Press, n.d.
___. The Function of the Orgasm. London: Panther, 1968.
___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.
___. Selected Writings: An Introduction to Orgonomy.
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___. The Sexual Revolution. New York: Vision Press, 1969.
Rolf, Dr. Ida P. Structural Integration.
Santa Monica, California: Esalen Press, 1962.
Ruesch, Jurgen. Communication. New York: Norton, 1951.
___. Disturbed Communication. New York: Norton, 1957.
___. Non-Verbal Communication.
Berkeley: University of California Press, 1956.
Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.
Smith, Paul. Creativity. New York: Hastings House, 1959.
Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme.
London: Watts Ltd., 1947.
Vernon, Magdalen D. A Further Study of Visual Perception.
Cambridge: Cambridge University Press, 1952.
Wertham, Fredric. Dark Legend. New York: Paperback Library, 1966.
___. Seduction of the Innocent. New York: Macmillan, 1954.
– The Show of Violence. New York: Paperback Library, 1966.
___.A Sign for Cain: An Exploration of Human Violence.
New York: Macmillan, 1966.
Wiener, Norbert. Cybernetics. New York: Wiley, 1948.
___. The Human Use of Human Beings. London: Sphere, 1969.
Массовая культура, социальные факторы и дизайн
Adams, Brooks. The Law of Civilization and Decay. New York: Vintage, n.d.
Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.
Chicago: Aldine, 1964.
Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America.
New York: Harper & Row, 1964.
Brightbill, Charles K. The Challenge of Leisure. New York: Spectrum, 1960.
Brown, James A.C. Techniques of Persuasion. Middlesex: Penguin, 1963.
Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:
Yale University Press, 1944.
___. Language and Myth. New York: Harper & Brothers, 1946.
___. The Myth of the State. London: Oxford University Press, 1946.
Galbraith, John Kenneth. The Voice of the Poor.
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Goodman, Paul. Art and Social Nature.
New York: Arts and Science Press, 1946.
___. Compulsory Mis-education. Middlesex: Penguin, 1971.
___. Drawing the Line. New York: Random House, 1962.
___. Growing Up Absurd. London: Sphere, 1970.
___. Like a Conquered Province: The Moral Ambiguity of America.
New York: Random House, 1967.
___. Notes of a Neolithic Conservative. New York: Random House, 1970.
___. Utopian Essays and Practical Proposals. New York: Vintage, 1964.
Gorer, Geoffrey. Hot Strip Tease. London: Graywells Press, 1934.
Gurko, Leo. Heros, Highbrows and the Popular Mind.
New York: Charter Books, 1962.
Hofstadter, Richard. Anti-intellectualism in American Life.
London: Jonathan Cape, 1964.
Hofstadter, Richard, and Wallace, Michael. American Violence.
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Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.
Joad, C.E.M. Decadence. London: Faber, 1948.
Kefauver, Estes. In a Few Hands: Monopoly Power in America.
Middlesex: Penguin, 1966.
Kerr, Walter. The Decline of Pleasure.
New York: Simon & Schuster, 1964.
Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.
London: W.H. Alien, 1971.
___. The First International Exhibition of Erotic Art. Catalogue.
Copenhagen, Denmark: Uniprint, 1968.
___. The Second International Exhibition of Erotic Art. Catalogue.
Copenhagen, Denmark: Uniprint, 1969.
Kiinen, James Simon. The Strawberry Statement: Notes of a College
Revolutionary. New York: Random House, 1969.
Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.
New York: Free Press, 1958.
Legman, Gershon. The Fake Revolt.
New York: The Breaking Point Press, 1966.
___. Love and Death: A Study in Censorship.
New York; The Breaking Point Press, 1949.
___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.
___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.
London: Panther, 1972.
Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.
New York: Citadel, 1965.
MacDonald, Dwight. Masscult and Midcult.
New York: Random House, 1961.
McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.
___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.
___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография
___. Understanding Media. London: Routledge & Kegan Paul, 1964
___. and Carpenter, Edmund. Explorations in Communication.
London: Jonathan Cape, 1970.
___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1
___. and Fiore, Quentin. The Medium Is the Message.
Middlesex: Penguin, 1971.
___. and Parker, Harley. Through the Vanishing Point.
New York: Harper & Row, 1968.
___. and Papanek, Victor). Verbi-voco- Visual Explorations.
New York: Something Else Press, 1967.
___. and Fiore, Quentin. War and Peace in the Global Village.
New York: Bantam, 1968.
Mannheim, Karl. Ideology and Utopia.
London: Routledge & Kegan Paul, 1966.
Mehling, Harold. The Great Time Killer. New York: World, 1962.
Mesthene, Emmanuel G. Technological Change.
Cambridge, Massachusetts: Harvard University Press, 1970.
Molnar, Thomas. The Decline of the Intellectual.
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Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.
London: Chatto & Windus, 1971.
O'Brian, Edward J. The Dance of the Machines. New York: Macaulay, 1929.
Packard, Vance. The Hidden Persuaders. Middlesex: Penguin, 1970.
___. The Status Seekers. Middlesex: Penguin, 1971.
___. The Wastemakers. Middlesex: Penguin, 1970.
Palm, Goran. As Others See Us. Indianapolis: Bobbs-Merrill, 1968.
Reich, Charles A. The Greening of America. Middlesex: Penguin, 1972.
Repo, Satu (ed.). This Book is About Schools.
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Riesman, David. Faces in the Crowd.
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___. Individualism Reconsidered. New York: Free Press, 1954.
___. The Lonely Crowd, rev. ed. New Haven, Connecticut:
Yale University Press, 1950.
Rosenberg, Bernard, and White, David M. Mass Culture.
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Roszak, Theodore. The Making of a Counter Culture.
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Ryan, Willima. Blaming the Victim. Orbach & Chambers, 1971.
Snow, C.P. The Two Cultures: And a Second Look.
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Thomson, Denys. Discrimination and Popular Culture.
Middlex: Pengiun, 1970.
Toffler, Alvin. The Culture Consumers. New York: St. Martin’s, 1964.
Veblen, Thorstein. The Theory of the Leisure Class.
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Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography
in the USA. London: Derek & Verschoyle, 1954.
Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity.
London: Brooks-Cole, 1968.
Warshow, Robert. The Immediate Experience.
New York: Doble-day, 1963.
Yong, Wayland. Eros Denied: Sex in Western Society.
London: Corgi, 1968.
Дизайн и различные культуры
Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.
Belo, Jane. Traditional Balinese Culture.
New York: Columbia University Press, 1970.
Benrimo, Dorothy. Camposantos.
Fort Worth, Texas: Amon Carter Museum, 1966.
Beurdeley, Jean-Michel. Thai Forms. Freiburg". Office du Livre, 1979.
Bhagwati, Jagdish. The Economics of Underdeveloped Countries.
London: Weidenfeld & Nicholson, 1966.
Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.
Cavarrubias, Miguel. Bait. New York: Knopf, 1940.
___. Mexico South. New York: Knopf, 1946.
Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.
Austin: University of Texas Press, 1968.
Gushing, Frank Hamilton. Zuni Fetishes.
Flagstaff, Arizona: KG Editions, 1966.
de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.
Bogota: Litografia Arco, 1978.
Dennis, Wayne. The Hopi Child. New York: Science Editions, 1965
DePoncins, Contran. Eskimos. New York: Hastings House, 1949.
Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.
London: Routledge & Kegan Paul, 1964.
Gardi, Ren6. African Crafts and Craftsmen.
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___.ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.
Glynn, Prudence. Skin to Skin: Eroticism in Dress.
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Grass, Antonio. Animates mitologicos. Bogota: Litografia Arco, 1979.
___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.
Harris, Marvin. Cultural Materialism. New York: Random House, 1979.
Harrison, Paul. Inside the Third World. Middlesex: Penguin, 1979.
___. The Third World Tomorrow. Middlesex: Penguin, 1980.
Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry.
Tokyo: Weatherhill, 1981.
Herrigel, Eugen. Zen in the Art of Archery.
London: Routledge & Kegan Paul, 1953.
Hiler, Hilaire. From Nudity to Raiment. London: W. & G. Foyle Ltd., 1930.
Hokusai. One Hundred Views of Mount Fuji.
New York: Frederik Publications, 1958.
Kasba 64 Study Group. Living on the Edge of the Sahara.
The Hague: Government Publishing Office, 1973.
Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood,
Paper and Clay. New York: Abrams, 1967.
Jenness, Diamond. The People of the Twilight.
Chicago: University of Chicago Press, Phoenix, 1959.
Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.
Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.
___.Formation of Bamboo. Tokyo: Shokokusha, 1958.
___.Formation of Stone. Tokyo: Shokokusha, 1958.
Kubler, Geerge. The Shape of Time.
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Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.
Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.
Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.
Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.
Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-
Lopez, Oscar Hidalgo. Manual de construction con bambu.
Bogota: National University of Colombia, 1981.
McPhee, Collin. A House in Bali. New York: John Day, 1946.
Music in Bali. New Haven, Connecticut: Yale University Press, 1966.
Malinowski, Bronislaw. Magic, Science and Religion.
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___. Sex and Repression in Savage Society.
London: Routledge & Kegan Paul, 1927.
Manker, Ernst. People of Eight Seasons: The Story of the Lapps.
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Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.
__. Cultural Patterns and Technological Change. New York: Mentor, n.d.
__. Growing up in New Guinea. Middlesex: Penguin, 1970.
__. Male and Female. Middlesex: Penguin, 1970.
___. Sex and Temperament. New York: Morrow, 1935.
Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.
Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.
Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.
Mowat, Parley. People of the Deer. New York: Pyramid, 1968.
Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.
Copenhagen: National Museum of Copenhagen, 1963.
Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.
Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.
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Ortiz, Alfonso. The Tewa World: Space, Time, Being,
& Becoming in a Pueblo Society.
Chicago: University of Chicago Press, 1969.
Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.
Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.
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Oxford: Oxford University Press, 1977.
Reichard, Gladys A. Navajo Religion: A Study of Symbolism.
Princeton, New Jersey: Bollingen Series,
Princeton University Press, 1950.
Richards, Audrey I. Hunger and Work in a Savage Tribe.
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Old Greenwich: Devin-Adair, 1977.
Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.
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Rudofsky, Bernard. Architecture without Architects.
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___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.
___. Behind the Picture Window. New York: Oxford University Press 10
___. The Kimono Mind. London: Gollancz, 1965.
___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197
___. Streets for People. New York: Doubleday, 1969.
___. The Unfashionable Human Body. New York: Doubleday, 1971.
Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist
Sculpture. London: Routledge & Kegan Paul, 1960.
Schafer, Edward H. The Golden Peaches of Samarkand:
A Study of Tang Exotics. Berkeley: University of California Press, 1963.
___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:
University of California Press, 1961.
Scully, Vincent. Pueblo: Mountain, Village, Dance.
New York: Viking Press, 1975.
Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.
Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology
and Society. Washington, D.C.: Smithsonian Institution Press, 1969.
Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.
London: Faber, 1938.
Suzuki, Daisetz T. Zen and Japanese Culture.
London: Routledge & Kegan Paul, 1959.
Sze, Mai-Mai. The Too of Painting. 2 vols.
London: Routledge & Kegan Paul, 1957.
Tange, Kenzo, and Gropius, Walter. Katsura:
Tradition and Creation in Japanese Architecture.
New Haven, Connecticut: Yale University Press, 1960.
Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.
Cambridge, Massachusetts: M.I.T. Press, 1965.
Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.
Seattle: Superior Publishing Co., 1977.
Valladares, Clarival and do Prado. Artesanato brasileiro.
Rio de Janeiro: Edicao Funarte, 1980.
Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:
Helvetica Press, 1968.
Viezzer, Moema. Si mepermiten hablar...
Bolivia: underground pamphlet, 1977.
Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil.
New York; Oxford University Press, 1977.
Watts, Alan R. Beat Zen, Square Zen and Zen.
San Francisco: City Lights, 1959-
___. The Joyous Cosmology. New York: Pantheon Books, 1962.
___. Nature, Man and Woman. New York: Pantheon Books, 1958.
Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.
Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton,
New Jersey: Bollingen Series, Princeton University Press, 1957.
Yee, Chiang. The Chinese Eye. New York: Norton, 1950.
__. Chinese Calligraphy. London: Methuen, 1954.
Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.
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