Ғ. Н.Қисметова Ағылшын тілі грамматикасы
The Morning of the Streltsy’s Execution,of
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- Бұл бет үшін навигация:
- Boyarinya Morosova
- Titian and Veronese.
| The Morning of the Streltsy’s Execution,of 1881, is the earliest
artist’s explicit vision of the historical past. It reproduses the event from Peter I’s time that continues to shock peoplle even today. In the year of 1682 the Streltsy, the Russia citizen-soldiers, incited a revolt in Moscow. At that time Peter, a boy of ten, had to flee the capital to survive. When Peter ascended the throne he took revenge on the old unreliable army and beheaded all the Streltsy in the presence of their wives and children. In the paintin Surikov depicts the moment preceding the execution.The composition divides into two groups: one center around Peter, another one shows the Streltsy, their wives and children. This painting was the first one to express the artist’s understanding of histori. Surikov’s masterpiece Boyarinya Morosova was created in 1887. Enormous in size and scale the canvas depicts the oersecution of the ‘old believers by patriarch Nikon. The subject of the painting is basedon the historical event that took place in the seventeenth century during the reign of Tzar Aleksei Mikhailovich, the father of Peter I. The scene is set in a street of medieval Moscow. The figures are arranged in an urban landscape in winter low afternoon light. The streer is filled with throngs of people. They are here to accompany and pay homage to the first boyarinya of Moscow who is being taken for interrogation and torture for her adherence to the old believers. The composition centres around boyarinya Morosova. She is aflame with prophecy. Her hand is raised in an eloquent gesture with two fingers making the sihg of the cross, the symbol of the old believers, which was forbidder by the church. She is superb in her indomitable inflexibility and readiness to die for what she considers a virtuous cause. This painting is made in the fresco-like style. The construction of this work of art reminds the monumental paintings o f the great Italians - ichelangelo, Tintoretto, Titian and Veronese. The composition is full of movement. In a single scene one motion leads the eye from the agitated 146 crowd to the boyarinya’s dramatically uplifted hand and pointing finders. Pure colour rules in the picture. The brushstrokes are free and sweeping. The storm of colour and the dynamic rhythm make the painting alive. Vassily Surikov exerted a great influence on the Russia artists of his time. Vassily was a real pupil of nature. His landscape bckground inspired such artists as A.Kuindzhi, LAyvazovski and I.Levitan who created a school of landscape painting in Russia. жүктеу/скачать 3.76 Mb. Достарыңызбен бөлісу:
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