Ғ. Н.Қисметова Ағылшын тілі грамматикасы
conqueror: past, present, future”. Thesubject o f the painting
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- Vereshchagin was killed in the Russo-Japanese war zone in an exposition on the battleship Patropavlovsk. I.Give Kazakh equivalents o f following phrases
- Venice
| conqueror: past, present, future”. Thesubject o f the painting,
distinguished for anti-war symbolism, was repeated numerously in the 20th centure anti war poster. After his trips to India (1874-6, 1882) Vereshchagin made Indian series which depicted the colonial expansion of the English. In 1878-80 the painter created the Balkan series, devoted the Russo-Turkish war. The painting Conquered: Funeral (1878) greatly impressed his contemporaries. Vereshchagin’s anti-Napoleonic series were very popular. The huge paintings of his series are not entirely free from the theatrical effects and the pomposity, but certain images are memorable because of their dramatism. During the 1880s Vereshchagin frequently returned to an evangelical theme, depicted with realism, which is characteristic of all his work. From 1870 to 1890 exhibitions of Vereshchagin’s work travelled through Europe and the USA. By the turn of the centry he became the most popular Russian artist abroad. Vereshchagin was killed in the Russo-Japanese war zone in an exposition on the battleship Patropavlovsk. I.Give Kazakh equivalents o f following phrases: The cadet corps; a naval officer; to abandon the career; conventions of the academic system; historical painting; effective handing of details, to take part in the military actions; landscape; battle painting; to be adhere to; an anti-war poster; to prevail in; a m o v e m e n t of solidarity with; images are memorable; in an ambush; an evangelical theme; to appeal for pacifism; 148 UNIT 26. MIKHAIL VRUBEL’ (1856-1910) Mikhail VrubeF was a pioneer of Modernism in Russian art. His extremely imnovative technique broke with the tradition of the Academy of Arts, St. Peterburg, where he was a brilliant student. At the same time he felt dissociated from the social ideals of the Wanderers. He remained a loney figure in Russian art. He did not tiy to achieve monumentality which was the aim of most of the painters. Vrubel’ was an infant prodigy. He was fond of music and drawing. The year of his graduation from St. Peterburg University in 1880, Vrubel entered the Academy of Arts. His talent was esteemed by Valentine Serov and his creative method was developed under the influence of Pavel Chistyakov. In Kiev in the 12-th century church of St. Cyril Vrubel’ not only created his masterpieces of the religious painting, but worked out his style. In the Byzantine mosaics of St. Sofia in Kiev he found the same divided colours and surfaces that fascinated him in St. Peterburg. In 1889 Vrubel’ moved to Moscow, where the range of his activity windened due to the backing of Savva Mamontov, the patron of Russian art. Vrubel’s stage designs for Mamontov’s private operas were centar in his work. Vrubel’s monumental style was ideally suited to wall decoration for a new Art Nouveau parlours in Moscow. He produced Venice, Spain, the tripych Judgement of Paris for the house of E.D. Dunker in 1903-4. I. Give Kazakh equivalents of the following phrases: A pioneer of modernism; an extremely innovative technique; to break with the tradition of Academy of Arts; the social ideals of the Wanderers; a lonely figure in Russian art; to achieve monumentality; to esteem the talent; a creative method; religious paintings; the Byzantine mosaics; divided colours; the patron of Russian art; to create masterpieces, monumental style. жүктеу/скачать 3.76 Mb. Достарыңызбен бөлісу:
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