Русский мюзикл как уникальный феномен искусства
Russian Musical as a Unique Phenomenon of Art
жүктеу/скачать 324.63 Kb. Pdf көрінісі
|
| Russian Musical as a Unique Phenomenon of Art
Kul’turnaya zhizn’ Yuga Rossii – Cultural Studies of Russian South, 2021, 4 (83), 52–59. DOI: 10.24412/2070-075X-2021-4-52-59 Elena A. Trukhacheva, Russian Institute of Theatre Arts (Moscow, Russian Federation). E-mail: truhachewa.el@yandex.ru Keywords: Russian musical, second half of 20th – early 21st centuries, genre, performing arts, musical comedy, rock opera. The article aims to reveal the patterns of the evolution of the national component of Russian musicals in the second half of the 20th – early 21st centuries. The research objectives are: to analyze the literature and the source base of the study of the vocal and dance component of the musical; to clarify the conceptual and categorical apparatus of genre and stylistic devices in the Russian musical; to identify the main stages of the development of the vocal and dance component of the musical in the USA, France, the UK; to reveal the national characteristics of the Russian musical and its problems. The object of the research is the Russian musical as a distinctive phenomenon in art. The following research methods were used: analytical method – to analyze the literature and sources of the dance, vocal, theatrical components of the musical of the second half of the 20th – early 21st centuries, and to clarify the cause-and-effect relationships between the new expressive means of the musical and dance traditions; classification method – to structure and systematize the studied material; methods of historical reconstruction, content analysis, and event analysis – to reproduce individual musical and theatrical compositions described in memoirs and scientific commentaries; systemic-structural method – the analysis of the specific characteristics of the vocal and dance in the musical makes it possible to identify and analyze their systemic patterns; historical-genetic method – to define concepts by clarifying their origin, to analyze the place, methods, and causes of the emergence of resea rch phenomena; biographica l method – to reflect the most significant events in the social and artistic activities of individual persons; art criticism method – to analyze the musical and choreographic language in the musical. The novelty of the research is confirmed by the need for a comprehensive characterization of Russian musicals in the evolution of this genre in the second half of the 20th – early 21st centuries. The findings of the study allow stating that the experience of staging musicals in different countries testifies to the fact that, for shows to be successful in this genre, a high professional level of stage performance and a specific spectators’ readiness to perceive the aesthetics of the show are required. In this aspect, the musical is a complex musical and theatrical project, in which scenario drama and plastic-dance entertainment prevail and lead to the emergence of the corresponding form-shaping laws of the vocal and dance component. жүктеу/скачать 324.63 Kb. Достарыңызбен бөлісу:
|