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Language of poetry. The first substyle we shall consider is verse. Its first 
differentiating property is its orderly form, which is based mainly on the rhythmic and 
phonetic arrangement of the utterances. The rhythmic aspect calls forth syntactical and 
semantic peculiarities which also fall into a more or less strict orderly arrangement. 
Emotive prose. The substyle of emotiveprose has the common features as have 
been pointed out for the belles-lettres style in general; but all these features are correlated 
differently in emotive prose. The imagery is not so rich as it is in poetry; the percentage of 
words with contextual meaning is not so high as in poetry;the idiosyncrasy of the author is 
not so clearly discernible. Apart from metre and rhyme, what most of all distinguishes 
emotive pose from the poetic style is the combination of the literary variant of the 
language, both in words and syntax, with the colloquial variant. It would perhaps be more 
exact to define this as a combination of the spoken and written varieties of the language, 
inasmuch as there are always two forms of communication present – monologue (the 
writer’s speech) and dialogue (the speech of the characters). 
Emotive prose allows the use of elements from other styles as well. Thus we find 
elements of the newspaper style (see, for example, Sinclair Lewis’s “It Can’t Happen 
Here”); the official style (see, for example, the business letters exchanged between two 
characters in Galsworthy’s novel “The Man of Property”); the style of scientific prose (see 
excerpts from Cronin’s “The Citadel” where medical language is used)/ 
Emotive prose as a separate form of imaginative literature, that is fiction, came into 
being rather late in the history of the English literary language. It is well known that in 
early Anglo-Saxon literature there was no emotive prose. Anglo-Saxon literature was 
mainly poetry, songs of a religious, military and festive character. The first emotive prose 
which appeared was translations from Latin of stories from the Bible and the Lives of the 
Saints. 


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