Language of poetry. The first substyle we shall consider is verse. Its first
differentiating property is its orderly form, which is based mainly on the rhythmic and
phonetic arrangement of the utterances. The rhythmic aspect calls forth syntactical and
semantic peculiarities which also fall into a more or less strict orderly arrangement.
Emotive prose. The substyle of emotiveprose has the common features as have
been pointed out for the belles-lettres style in general; but all these features are correlated
differently in emotive prose. The imagery is not so rich as it is in poetry; the percentage of
words with contextual meaning is not so high as in poetry;the idiosyncrasy of the author is
not so clearly discernible. Apart from metre and rhyme, what most of all distinguishes
emotive pose from the poetic style is the combination of the literary variant of the
language, both in words and syntax, with the colloquial variant. It would perhaps be more
exact to define this as a combination of the spoken and written varieties of the language,
inasmuch as there are always two forms of communication present – monologue (the
writer’s speech) and dialogue (the speech of the characters).
Emotive prose allows the use of elements from other styles as well. Thus we find
elements of the newspaper style (see, for example, Sinclair Lewis’s “It Can’t Happen
Here”); the official style (see, for example, the business letters exchanged between two
characters in Galsworthy’s novel “The Man of Property”); the style of scientific prose (see
excerpts from Cronin’s “The Citadel” where medical language is used)/
Emotive prose as a separate form of imaginative literature, that is fiction, came into
being rather late in the history of the English literary language. It is well known that in
early Anglo-Saxon literature there was no emotive prose. Anglo-Saxon literature was
mainly poetry, songs of a religious, military and festive character. The first emotive prose
which appeared was translations from Latin of stories from the Bible and the Lives of the
Saints.
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