Абай ілімін білудің, ТҮсінудің ЖӘНЕ
Original Transcript in Latin
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Transcript in Latin Interlinear translation in English Қансонарда бүркітші шығады аңға, Тастан түлкі табылар аңдығанға. Жақсы ат пен тату жолдас – бір ғанибет, Ыңғайлы ықшам киім аңшы адамға. Салаң етіп жолықса қайтқан ізі, Сағадан сымпың қағып із шалғанда. Бүркітші тау басында, қағушы ойда, Іздің бетін түзетіп аңдағанда… (Abai, 2016: 110) Qansonarda bürkıtşı şyğady añğa, Tastan tülkı tabylar añdyğanğa. Jaqsy at pen tatu joldas – bır ğanibet, Yñğaily yqşam kiım añşy adamğa. Salañ etıp jolyqsa qaitqan ızı, Sağadan sympyñ qağyp ız şalğanda. Bürkıtşı tau basynda, qağuşy oida, Izdıñ betın tüzetıp añdağanda... Early in the morning, just before dawn, berkutchi goes hunting, The fox will be found behind the stone for the hunter A faithful friend and a reliable horse - what else do you need on a campaign, And the clothes are comfortable, gathered. He bravely makes his way through animal paths, Hearing sensitively catches the sounds that come from the valley. Down there, already a friend - a beater, climbing up the hollow, Kicked out the redhead, already drives up the thorn bushes. During the first snowfall, the right time to hunt the huts is called “Qansonar”. This is due to the fact that the tracks of the beast are clearly visible on the freshly fallen snow. In this poem, Abai describes interesting moments of the hut with views of nature. Through the hut, he conveys information about the winter of the area inhabited by the Kazakh people and about the secrets of hunting. In the poem, in Qansonar, the hunters took their eagles and, going out to hunt, met a fox and let the eagle go. The fight between the fox and the eagle, the actions of both are depicted convincingly. A. Temirbolat analyzed lin- guistic means that express chronotope in this poem in detail: “When describing birds, the verbs of the present and future tense are used 228 in the work. This creates a sense of the reader’s involvement in the events taking place. The action seems to be unfolding at the moment. The author gives the reader the opportunity to observe the behavior of people and birds.” (Temirbolat, 2015: 135). The elements that define the chronotope in this poem are: Qan- sonar, on top of a mountain, blue (sky), earth, sky, tomorrow. With these words, the reader can determine the season and time of the hut. The chronotope, expressed through the main language units denoting time, not only reveals the content of the poem, but also affects the national knowledge and understanding of the reader. That is why the poem takes a deep breath and has a special meaning for the readers. It is known that the essence of the author’s thought lies in the ideals of either a single or a common era and society. “... The text it- self does not exist, it necessarily comes out of any context (historical real or conditional)” (Whitrow, 1981: 197). That is why the essence of any work of art is truth. And the world that objectively embroiders it is chronotopic language units.Therefore, through a broad analysis of chronotopic units, it is possible to determine the ideological decision of the author, the image of the author and historical reality. Artistic reality, in which the support of the poet’s poems under- lies, defining artistic time and space. These are linguistic units that weigh this artistic reality with knowledge and decorate it with words. The linguistic forms of expression of the categories of time and space identified in the analysis of Abay Kunanbayev’s poems are closely related to the life of the author, his environment and lifestyle, world- view of that period. The results of the study showed that the linguistic forms of the chronotope in the poet’s poems are found in the faces of nouns, adjectives, verbs and adverbs that express seasons, addresses, moods. The poet’s use of archaic words characteristic of the time in which he lived indicates an abundance of vocabulary. At the same time, the selected poems in determining the functions and artistic fea- tures of language forms in the poet’s works fully revealed the purpose of the study. In the poem “Ğabidollağa” (“To Gabidulla”) we see how masterly poet describes the concept of time, eternity and mortality in human life in comparison with time change, circle and seasons in nature. The concern of aging, inevitability of getting old has been reflected in “Qartaidyq, qaiğy oiladyq, ūiqy sergek” (“Gone old, we 229 grieve and can’t sleep”). The same connection of mankind and na- ture’s time and space, their interconnection is seen in “Qansonarda bürkıtşı şyğady añğa” (“Berkutchi goes hunting in Kansonar”), “Jaz” (“Summer”). Overall, time and space not only reflect the worldview, artistic world of the poet in poetry, but also reflect the image of the era in which the poet lived, reflect the significance of events and histori- cal moments of that period. Through the chronotop, all the facts and secrets of the era in which the poet lived are inherited. This research has been/was/is funded by the Science Commit- tee of the Ministry of Education and Science of the Republic of Ka- zakhstan (Grant AP08855683 – Scientific foundations and theoretical mechanisms of knowledge, comprehension and application of Abai studies). жүктеу/скачать 5.16 Mb. Достарыңызбен бөлісу:
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