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arakin v d prakticheskiy kurs angliyskogo yazyka 1 kurs

\
all | when he 
\
comes.
The rising nuclear tone shows that the nonfinal intonation
group is closely connected in meaning with the following into
nationgroup, is not important by itself and implies continuation.
e. g.
→ 
→ 
→ 
→ 
→ 
Generally 
/
speaking, | I pre





fer 
\
tennis.
The intonation pattern is also modified by the speaker’s atti
tude towards his utterance:
e. g.
\
Why? — detached, even unsympathetic.
/
Why? — wondering.
In English notional words (nouns, adjectives, verbs, etc.) are
generally stressed. Formwords and most pronouns (personal
and possessive mainly) are generally unstressed. But any part of
speech may be stressed if it is semantically important.
e. g.

What is he going to 
\
do?
— do is the communicative
centre.
→ 
→ 
→ 
→ 
→ 
What is 
\
he going to do?
— he is the communicative
centre.
324


METHOD OF INDICATING INTONATION ON THE STAVES
Unstressed syllables are represented by dots, stressed sylla
bles are marked by dashes or curves.
A dash represents a level tone.
A downward curve represents the final fall.
An upward curve represents the final rise.
Two parallel lines (staves) represent the upper and the lower
limits of human voice or the range of the voice.
The temporal component of intonation can be indicated
graphically only as far as pauses are concerned.
Two vertical bars | | denote a long pause, which usually oc
curs at the end of a sentence.
A single vertical bar | denotes a short pause inside a sen
tence.


326
F U N D A M E N T A L I N T O N A T I O N P A T T E R N S A N D T H E I R U S E
F U N D A M E N T A L I N T O N A T I O N P A T T E R N S A N D T H E I R U S E
F U N D A M E N T A L I N T O N A T I O N P A T T E R N S A N D T H E I R U S E
F U N D A M E N T A L I N T O N A T I O N P A T T E R N S A N D T H E I R U S E
F U N D A M E N T A L I N T O N A T I O N P A T T E R N S A N D T H E I R U S E
Section One
Section One
Section One
Section One
Section One


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