Контексте западной историографии
Partisans Reviewed. New York, 1996
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Partisans Reviewed. New York, 1996. 78. Pollock G. Vision and Difference: Feminism, Femininity and the Histories of Art. London, 2003. 79. Pollock G. Differencing the Canon: Feminism and the Writing of Art's Histories. London, 2013. 80. Porter R. J. “Let the Rest Be Dark”: Van Gogh in his Letters // Biography. Vol. 5, No. 1. Honolulu, 1982. 81. Prinzhorn H. Artistry of the Mentally Ill. New York, 1972. 82. Quigley T. R. Shooting at the Father's Corpse: The Feminist Art Historian as Producer // The Journal of Aesthetics and Art Criticism. Vol. 52, No. 4. Hoboken, 1994. 83. Renzio T. The Van Gogh Industry // Art and Artists. London, 1976. 84. Schapiro M. Vincent Van Gogh. New York, 1938. 85. Shapiro M. The Social Bases Of Art // Art in Theory 1900-2000: An Anthology of Changing Ideas (New edition). New York, 2002. 69 86. Shiff R. Art History and the Nineteenth Century: Realism and Resistance // The Art Bulletin. Vol. 70, No. 1. New York, 1998. 87. Silverman D. Van Gogh and Gauguin: The Search for Sacred Art. New York, 2000. 88. Soth L. Van Gogh’s Images of Women Sewing // Zeitschrift für Kunstgeschichte, 57. Bd., H. 1. Berlin, 1994. 89. Sweetman D. Van Gogh: his life and his art. New York, 1990. 90. Tout l’oeuvre peint de Van Gogh. Vol. II. Paris, 1971. 91. Walker J. A. Art History versus Philosophy: the Enigma of the ‘Old Shoes’ // Van Gogh Studies. London, 1981. 92. Walker J. A. Van Gogh’s Drawing of La Crau from Mont Major // Master Drawings. Vol. 20, No. 4. New York, 1982. 93. Wimsatt W. K., Beardsley M. C. The Intentional Fallacy // The Sewanee Review. Vol. 54, No. 3. Baltimore, 1946. 94. Zachariáš J. Vincent van Gogh’s A Pair of Shoes: An Attempt at an Interpretation // Umění art 4 LXII. Prague, 2014. 95. Zemel C. The Formation of a Legend: Van Gogh Criticism, 1890-1920. Ann Arborn, 1980. жүктеу/скачать 3.7 Mb. Достарыңызбен бөлісу:
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