Абай ілімін білудің, ТҮсінудің ЖӘНЕ
Original Transcript in Latin
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- Original Transcript in Latin Interlinear translation in English (by authors)
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Transcript in Latin Interlinear translation in English (by authors) – Жас қартаймақ, жоқ – тумақ, туған – өлмек, Тағдыр жоқ өткен өмiр қайта келмек. Басқан iз, көрген қызық артта қалмақ, Бiр құдайдан басқаның бәрi өзгермек. (Abai, 2016: 72) – Jas qartaimaq, joq – tumaq, tuğan – ölmek, Tağdyr joq ötken ömir qaita kelmek. Basqan iz, körgen qyzyq artta qalmaq, Bir qūdaidan basqanyñ bäri özgermek The young grow old, no is born, the born die, There is no fate in which life returns again. Traces and fun will be left behind Everything will change except for one god. In this poem by Abai, a dispute between the concept of number and quality is traced; philosophical conclusions demonstrate the tradi- tions and customs associated with death in Kazakh life, from the point of view of time and space. The poet clearly gives the golden mean of his entire philosophy with the following poetic lines: 225 Table 3. The poem “Ölsem, ornym qara jer syz bolmai ma?” (“If I die, won’t my place become black cold earth?”) by Abai and its interlinear translation into English Original Transcript in Latin Interlinear translation in English (by authors) Өлсем, орным қара жер сыз болмай ма? Өткір тіл бір ұялшақ қыз болмай ма? Махаббат, ғадауатпен майдандасқан Қайран менің жүрегім мұз болмай ма? (Abai, 2016: 82) Ölsem, ornym qara jer syz bolmai ma? Ötkır tıl bır ūialşaq qyz bolmai ma? Mahabbat, ğadauatpen maidandasqan Qairan menıñ jüregım mūz bolmai ma? If I die, won't my place become black cold earth? Will not sharp tongue become a shy girl? Fighting love and betrayal Alas, will my heart turn to ice? There is conscious and clear cognition. At the same time, enter- ing the times of all life, nation, country, destiny, human existence, it reflects the national values and knowledge of the Kazakh people. The following poem is rich in artistic and aesthetic coloring of definitions and substitutions. The playful nature of this approach is illustrated by the dramatic dynamism of the tragic atmosphere in the work. The referents of coldness, silence, darkness reveal the content of psychology in its uncompromising condensation of images between the two poles of time and space perceived by human consciousness. Emotions of fear, anxiety, hopelessness, risk are rooted in the phi- losophy inherent in modernist aesthetics about the impermanence of existence (Dudley, 1996: 200). The indicated persons in the Kazakh language changed to tūry, tūrym and, having retained their meaning, united with the word jaz (summer). Then the meaning of jazğytūry, according to the modern understanding, means before summer, be- ginning of summer. Consequently, we know the concept of the season preceding the summer season, as a herald of summer. We can say that this word, which characterizes the spring period, is not currently used. |