Международная заочная научная конференция
meeting the most horrible, fascinating old bastard in
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| meeting the most horrible, fascinating old bastard in
the club (www.guardian.co.uk). Здесь критик отождествляет студию автора с его твор- чеством a scary claustrophobic nightmare in pink and purple, а возможность непосредственно увидеть картину – с встречей с ужасным «ублюдком» the most horrible, fascinating old bastard, высказываясь весьма экспрес- сивно, вызывая, тем самым, отторжение читателя. Также следует отметить, что критик может говорить об искусстве в общих чертах и детально, подробно описывая отдельно взятую работу. Приведем примеры: 20) The perfection of Raphael’s art, which once made him the most revered painter of all, has done much to harm his popularity in modern times. Today he is in the cu- rious position of being at once indestructibly famous, irremovably in the canon, and yet largely unloved. People are trained now to dislike art like Raphael’s without really looking at it: the very words that praise it – harmonious, proportionate, and classical – condemn it to oblivion in a world that despises those virtues. Nothing is ever likely again to restore Raphael to the status of a popular classic – but nor will the museums be taking his works off the walls any time soon because he is, like it or not, one of the supreme visual creators who ever lived (www.guardian.co.uk). 21) Art becomes a spirited game of interpretation in Ivan Seal’s small-scale oil paintings. The objects he shows seem ordinary enough: you could be looking at the handle of a chisel, left casually hanging off the edge of жүктеу/скачать 3.35 Mb. Достарыңызбен бөлісу:
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