Проблемы современной лингвистики 20 21 апреля 2015 года Санкт-Петербург 2015
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ve onomastics: names leave the reader with an association specifying and deepening the characteristic of the image. - Different categories of onyms have a different degree of imagery. So, classical and biblical names have significantly more characterizing stability compared with the new names that allows the writers in their use to rely on the same situational association understood by the representatives of almost all without exception cultures. - In "The Sentimental Education" the name of the beloved of Frederick Mme Arnoux – Marie is the obvious biblical allusion - a symbol of the supremacy of a sacred mother’s essence over a woman's coquetry. A successful onomastic association is to highlight the image of Mme Arnoux from a series of female characters in literature. Thus, the choice of aesthetic onomastics in fiction contributes to the solution of some stylistic problems which the author poses to a particular character. Due to their characterizing potential, all kinds of aesthetic onyms may function as a symbol of nature or destiny of the characters within fiction. Moreover, the role of toponyms and other different from anthroponyms onomastics is often reduced to an indirect characterization of the characters that is explained by the general concept of anthropocentrism in literature. References 1. Меркулова Н.В. Имя собственное как средоточие духовного потенциала художественного образа (на материале романа Г. Флобера «Госпожа Бовари») // Development of the creative potential of a person and society : materials of the II international scientific conference on January 17-18, 2014. – Prague : Vědecko vydavatelské centrum «Sociosféra-CZ», 2014 – С. 36-40. 2. Меркулова Н.В., Моташкова С.В. Эстетическая ономастика в художественном тексте и интертексте: основные функции и проблема перевода (на материале знаковых произведений французской литературы) : монография. Воронежский ГАСУ – Воронеж, 2013. - 177 с. 3. Correspondance, Pléiade, éd. J. Bruneau, t. I et II, 1973. 4. G. Leuleu, J. Pommier, Madame Bovary, nouvelle version, Paris, Corti, 1949. 5. Merkulova N.V. Themed Semantics of the French Literary Onomastics // Scientific Newsletter. Series: Modern linguistic and methodical-and-didactic research. - 2014. - Vyp. 2 (5). – P. 43-56. |